The Owl Run

Original artist
Hughie O’Donoghue
Original art
The Owl Run
The Owl Run
after Hughie O’Donoghue
by Martin Dyar
Son, it waits for you: the red, the black
and the gold of that rejuvenating ground,
in that piece of Glencullen known as the Owl Run.
Do not doubt that it waits for you.
And do not doubt its power. Transformation, hand
in hand with healing, dwells in the Owl Run.
A form of wandering is required. As with
the art of living, to locate the Owl Run
requires that you value uncertainty.
I wish that I could take you there, shepherd you,
but my own most recent Glencullen adventures
have led me on to another mission.
My life (I almost used the word soul) of late
is a North Mayo ricochet. Atlantic sun
pluming up from apocalyptic moorland
is the core truth and the better part of my brain.
I want the same for you. But today the best I can do
is to send you, out of the blue, this note.
Forget your phone. Head south and take the third left
down the black road that flanks the black
Glencullen River. Observe the slowing effect
of that long cul de sac on your blood.
You’ll come to a broad forbidding hill
in whose green lap the pot of the source is clamped.
It will be quiet, but be ready for conversation.
I met an old man there who spoke of being
driven to Dublin by a barefoot woman
sixty years ago. I have made use of that nugget;
Glencullen’s quietness is all narrative.
From the last house, you will see, up the valley,
the horizontal brightness that makes the lake.
Linger if you will, but then descend.
The Owl Run is four low fields, the scar tissue
and the print of a village. You’ll meet clarity there.
And a fullness, son, of Glencullen red and black
and gold, will rush at the fullness of your trouble.